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"My first booker in Paris, at the very, very very beginning of my career, died of AIDS. It was the first time I had heard about AIDS. Everyone was still quite uncertain about what it was. It was still new. I remember visiting him up until his final days. I've had friends pass away from it, and friends of friends and colleagues, so I've been touched persoanlly and professionally. But really, I'm doing my part because I think it's a global issue. I think everybody has to do something. There is nothing beautiful about AIDS. We still live in a world where the stigma surrounding AIDS is truly ugly. I hope to make a difference."

"I was having panic attacks. I didn't want to live that way anymore. I was in love and I wanted it to work. I was tired of travelling, tired of the whole scene, just tired. I sat around. I was lazy. I wanted a routine, and I wanted to wake up in the same bed every day, and I got my wish."

"The miscarriage was a big part of my absence. That contributed to my further laziness and depression. It was the hardest thing I ever had to go through. And I'm not over it, and I never will be. Everyone says, 'After you fall off a horse, get back up on it again,' but I didn't get back up on the horse. I didn't have the courage. I just think the further along in the term, the harder it is. You can't measure that kind of pain. I accept it, and I understand it; it's just hard. But life goes on. At least I'm optimistic."

"I think I will always have a place. I don't think I have to rule or reign but there's a place for me."

"In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself."

"I love change, I really enjoy the new models, the new looks but I don't agree that they all need to be a certain size or age. Why can't someone new come along who's 25 or 30. Or 50? When I was young, you could open Vogue and see a range of body shapes. Now the whole editorial section is devoted toone body shape. Maybe that's one person's view. It's not mine."

"I used to look at magazines and I couldn't afford those clothes and I couldn't look like those women. And you know what I found out when I became a model? I still couldn't look like those women, because I'm retouched and I've had four hours of make-up and two hours of hair and I'm pinned and airbrushed and I'm holding a position that my body could never hold in real life and look natural. So even I could never look like myself." (And Linda is laughing when she says this).

"No one would ever believe that I was shy. Up on the runway I don't feel that way. I don't feel like they're looking at me. When I'm doing my job, nothing can touch me. I feel protected. It's backstage I feel vulnerable. My anxiety kicks in in social situations."

"I have this great fear of people - not when I'm on the runway, but backstage. In a room full of people, I really suffer. I sort of go into a tunnel and I feel very removed. I get so tense, I can't swallow, and my heartbeat goes way up. It still happens now, although I'm better at controlling it."

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"She's legendary. There's not going to be many like her, ever."

Steven Miesel